Virtually every on-screen button can be moved anywhere the player wishes, and can also be enlarged or reduced in size.
Page just shouts things like “fascists!” at downed enemies instead of “kill confirmed.” Playing an FPS on a touch screen will never be an ideal experience, but MC4 continues the franchise’s tradition of making the best of this non-optimal situation. This does add a little spice, but besides one nifty set of missions that show both sides of an engagement, MC4 doesn’t really go anywhere with this switch-up. The big twist this time around is that gamers play some missions as domestic terrorist Edward Page, the game’s primary villain. Especially the shotguns, which seem to work at absurdly long distances. There’s no sense of pacing and little gameplay variety (besides the aforementioned vehicle segments), but all of the extensive weaponry at your disposal feels powerful and satisfying. Gamers will chase villains through Barcelona, get embroiled in major firefights on the streets of Seattle and eventually storm an enemy compound in Antarctica. Still, for the most part the campaign Gameloft has constructed is as thrilling and compelling as ever.
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